樱桃视频

Lucy鈥檚 work has featured in solo exhibitions including Limoncello London, CCA Glasgow, and IPS Birmingham.

Colin, Anna. 2024. Pour une pratique sociale e虂cocentre虂e. RADIAL, ISSN 2678-3185. Crossed Perspectives on Collaboration Chabanon, Eve; Colin, Anna and Planeix-Crocker, Madeleine. 2021. Crossed Perspectives on Collaboration. On Curating(52), pp.

Sonya's work reimagines where the centre is located in fictional narratives of the future.

Johnson, Jasmine. 2024. what's safe, what's gross, what's selfish and what's stupid. MORE THAN TWO: 10 JARS Johnson, Jasmine. 2018. MORE THAN TWO: 10 JARS. In: "More Than Two: Omnibus", Barbican Centre, United Kingdom. Love Johnson, Jasmine. 2020.

Jones, Paul. 2025. working title: Science Laboratory. No Sound System Jones, Paul and Anderson, Hurvin. 2023. No Sound System. Bio-Morph-Thing Jones, Paul. 2023. Bio-Morph-Thing. Show more information. Untitled Envelopes (Clouds to Infinity Series I)

Bod鈥檚 recent group exhibitions include shows at MOT International and Victoria Miro Gallery in London.

Lury, Celia; Viney, William and Wark, Scott, eds. 2022. Figure: Concept and Method. Singapore: Palgrave Macmillan. ISBN 9789811924750. Pharmacologies of Media Wark, Scott and Soncul, Yi臒it, eds. 2022. Pharmacologies of Media, Media Theory, 6(2).

Unal, Deniz and Pinaka, AnnaMaria. 2025. Princess Diaries V. In: "Princess Diaries V", ROZENSTRAAT - a rose is a rose is a rose, Amsterdam, Netherlands, 7 June 2025. Documentation for the performance series: It Was Over Long Before Last Night. Unal,

Involuntary musical imagery (INMI; or “earworms”) describes the experience whereby a short section of music comes into the mind, spontaneously, without effort, and then repeats without conscious control [1].

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