Rogers, Holly. 2024. Re/Sounding Spaces: Listening Across Audiovisual Culture. Cambridge, Massachusetts: MIT Press.
Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984
Rogers, Holly; Vernallis, Carol and Perrott, Lisa. 2016. New Approaches to Sound, Music and Media. Bloomsbury.
Rogers, Holly. 2013. Sounding the Gallery: Video and the Rise of Art Music. Oxford: Oxford University Press. ISBN 978-0-19-986142-2
Rogers, Holly. 2010. Visualising Music: Audio-Visual Relationships in Avant-Garde Film and Video Art. Amsterdam: Lambert. ISBN 3838350561
Edited Book
Rogers, Holly; Pontara, Tobias and Butter, Michael, eds. 2026. Conspiracy Theory and Audiovisual Media. Routledge.
Rogers, Holly; Freitas, Joana and Porfírio, João Francisco, eds. 2023. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic. ISBN 9781501387340
Rogers, Holly; Freitas, Joana and Porfírio, João, eds. 2023. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic. ISBN 9781501387272
Rogers, Holly; Vernallis, Carol; Kara, Selmin and Leal, Jonathan, eds. 2021. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury Academic. ISBN 9781501357053
Vernallis, Carol; Rogers, Holly and Perrott, Lisa, eds. 2020. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. London: Bloomsbury Academic. ISBN 9781501341007
Rogers, Holly and Barham, Jeremy, eds. 2017. The Music and Sound of Experimental Film. New York: Oxford University Press. ISBN 9780190469900
Rogers, Holly, ed. 2014. Music and Sound in Documentary Film. New York: Routledge. ISBN 9780415728669
Edited Journal
Rogers, Holly, ed. 2020. Sonic Scope: New Approaches to Audiovisual Culture, Sonic Scope: New Approaches to Audiovisual Culture, .
Book Section
Rogers, Holly. 2027. "for what has not yet been heard": Sonic Resistance in Women’s Experimental Film Culture. In: Steve Gibson; Yan Breuleux; Joseph Hyde and Donna Leishman, eds. Audio-Visualism: Reframing Relationships Between Sound & Image. Abingdon: Routledge, pp. 150-167. ISBN 9781032975023
Rogers, Holly. 2024. “The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works. In: Delphine Vincent, ed. Max Richter: History, Memory and Nostalgia. Turnhout, Belgium: Brepols, pp. 181-196. ISBN 9782503611853
Rogers, Holly. 2023. “I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury, pp. 1-34. ISBN 9781501387326
Rogers, Holly. 2023. Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic, pp. 113-144. ISBN 9781501387326
Rogers, Holly. 2023. “Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic, pp. 1-38. ISBN 9781501387272
Rogers, Holly. 2022. Instruments. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 202-226. ISBN 9781108481984
Rogers, Holly. 2022. Recording and Production. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 229-252. ISBN 9781108481984
Rogers, Holly. 2022. Music and the Moving Image. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 295-318. ISBN 9781108481984
Rogers, Holly. 2022. Canons. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 104-128. ISBN 9781108481984
Rogers, Holly and Vernallis, Carol. 2021. Terence Nance: Random Acts of Flyness. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 311-328. ISBN 9780190853617
Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale. 2021. Ben Salisbury: Scoring Science for Alex Garland. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 130-137. ISBN 9780190853617
Rogers, Holly. 2021. Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. In: Carlo Cenciarelli, ed. The Oxford Handbook of Cinematic Listening. Oxford: Oxford University Press, pp. 427-449. ISBN 9780190853617
Rogers, Holly. 2019. The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds. Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics. New York: Bloomsbury, pp. 241-270. ISBN 9781501341007
Rogers, Holly. 2019. Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. In: Robert Adlington, ed. New Music Theatre in Europe: Transformations Between 1955-1975. Abingdon: Routledge, pp. 79-100. ISBN 9781138323018
Rogers, Holly. 2017. ‘Audio-Visual Dissonance in Found Footage Films’. In: Holly Rogers and Jeremy Barham, eds. The Sound and Music of Experimental Film. New York: Oxford University Press. ISBN 9780190469900
Rogers, Holly. 2015. ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. In: Michael Spitzer, ed. Beethoven. Farnham: Ashgate, pp. 509-521. ISBN 978-1-4724-4030-3
Rogers, Holly. 2014. ‘Twisted Synaesthesia: Visual Artists and the Music Video’. In: Germano Celant, ed. Music or Art. Milan: Fondazione Prada, pp. 281-288.
Rogers, Holly. 2014. ‘Music, Sound and the Nonfiction Aesthetic’. In: Holly Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1-19.
Rogers, Holly. 2013. ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. In: Claudia Gorbman; John Richardson and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp. 525-542. ISBN 9780199733866
Rogers, Holly. 2013. Multimedia Art: Video Art-Music. In: Tim Shepherd and Anne Leonard, eds. Routledge Companion to Music and Visual Art. New York: Routledge, pp. 367-375. ISBN 9780415629256
Rogers, Holly. 2013. ‘Spatial Reconfiguration in Interactive Video Art-Music’. In: Karen Collins; Bill Kapralos and Holly Tessler, eds. The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press, pp. 15-30. ISBN 9780199797226
Rogers, Holly. 2012. ‘Death for Five Voices: Gesualdo’s “poetic truth”’. In: Brad Prager, ed. A Companion to Werner Herzog. Hoboken, N.J: Wiley-Blackwell, pp. 187-207. ISBN 978-1-4051-9440-2
Rogers, Holly. 2008. ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. In: David Cooper, ed. Cinemusic: Constructing the Film Score. Cambridge: Cambridge Scholar's Publishing, pp. 141-164.
Article
Rogers, Holly. 2026. TikTok, YouTube and the Distributed Music Video: The Meta-Mercurial Circulation of Lady Gaga and FKA Twigs. Vibes - The IASPM D-A-CH Series, 4, pp. 22-40. ISSN 2748-6389
Rogers, Holly. 2025. The Mercurial Affordances of Participatory Culture: SOPHIE, Hyperpop and the Undoing of Musical Genre. Journal of the American Musicological Society, 80(1), ISSN 0003-0139
Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan. 2022. Contemporary Audiovisualities, Intermediality and Remediation. Revista Eco-Pós, 21(1), pp. 320-341. ISSN 2175-8689
Rogers, Holly and Britton, Heather. 2022. The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète. [in]Transition: Journal of Videographic Film & Moving Image Studies, 9(1), ISSN 2469-4312
Rogers, Holly. 2020. Locked Down Listening / Communal Re-Imagination. Flow: A Critical Forum on Media and Culture,
Rogers, Holly. 2020. Sonic Elongation: Creative Audition in Documentary Film. JCMS: Journal of Cinema and Media Studies, 59(2), pp. 88-113. ISSN 0009-7101
Rogers, Holly. 2016. ‘The Public Will Only Believe the Truth If It Is Shot in 3D’ Michel van der Aa, ‘Nine Years in an Ophanage’ (Zenna), Sunken Garden, Scene 6. Cambridge Opera Journal, 28(2), pp. 277-282. ISSN 0954-5867
Rogers, Holly; Vernallis, Carol and Perott, Lisa. 2016. Beyoncé’s Lemonade: She Dreams in Both Worlds. Film International,
Rogers, Holly. 2014. ‘Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis); and An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)’. Twentieth Century Music, 11(2), pp. 8-14. ISSN 1478-5722
Rogers, Holly. 2014. ‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’. Animation Journal, 22, pp. 68-84.
Rogers, Holly. 2013. Composing with Reality: Digital Sound and Music in Documentary Film. ZDOK: Zürcher Hochschule der Künste, 13, pp. 1-13.
Rogers, Holly. 2011. ‘The Unification of the Senses: Intermediality in Video Art-Music’. The Journal of the Royal Music Association, 136(2), pp. 399-428. ISSN 0269-0403
Rogers, Holly. 2011. ‘Review: A History of Film Music (Mervyn Cooke)’. Twentieth Century Music, 7(2), pp. 245-248. ISSN 1478-5722
Rogers, Holly. 2008. ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. The Journal of Musicological Research, 27(2), pp. 134-168. ISSN 0141-1896
Rogers, Holly. 2007. ‘Review: EcoMedia (Sean Cubitt)’. Scope: Journal of Film Studies, 7,
Rogers, Holly. 2007. ‘Review: The Museum of Modern Art and the Birth of Art Cinema (Haidee Wasson)’. Scope: Journal of Film Studies, 9,
Rogers, Holly. 2006. Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. twentieth-century music, 2(02), pp. 197-219. ISSN 1478-5722
Rogers, Holly. 2005. ‘Review: Cinema’s Illusions, Opera’s Allure (David Schroeder) / Hollywood Theory, Non-Hollywood Practice (Annette Davison)’. Scope: Journal of Film Studies, 2,
Rogers, Holly. 2004. 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. Journal of the Royal Musical Association, 129(1), pp. 77-99. ISSN 0269-0403
Audio
Rogers, Holly. 2021. Twisted Synaesthesia.
Rogers, Holly. 2021. Sinestesia distorta.
Digital
Rogers, Holly. 2013. Video Art Primer.
Rogers, Holly. 2013. Early Music Videos and the Visual Music Scene.
Exhibition Catalogue
Rogers, Holly. 2015. ‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’.
Film/Video
Rogers, Holly. 2021. Audiovisual Noise in Transmedial Culture.
Thesis
Rogers, Holly. 2005. Alternative Models of Music-Image Interaction in Film. Doctoral thesis, Magdalene College, Cambridge University
Rogers, Holly. 2000. Beethoven on Film. Masters thesis, King's College, London
Other
Rogers, Holly. 2013. Sound and Vision. Wire Magazine, London.