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Primary page content. Lisa Vinebaum's MPhil/PhD Art research project. The thesis is rooted in the study of the complicated relationships between the body and territory - and by extension, the body and the nation - in Palestine and Israel. This

Primary page content. Linda Stupart's MPhil/PhD Art research project. My project considers new questions of objectification and becoming-object, particular within the context of feminist genealogies and critiques. The project conflates different

Primary page content. Selma Parlour's MPhil/PhD Art project. The central claim of the thesis is that contemporary painting can be productively considered and made through a renewed investigation of syntax. Beginning with a detailed examination of

Primary page content. Sharlene Khan's MPhil/PhD Art research project. This thesis analyses the masquerading strategies employed in the artworks of contemporary South African visual artists Anton Kannemeyer, Tracey Rose, Senzeni Marasela, Mary

Primary page content. Clareese Hill's MPhil/PhD Art research project. The topic of research for my practice-led Ph.D. thesis explores the problematics of the language and notions of the word identity by unpacking the intersection of virtual

Primary page content. Roman Vasseur's MPhil/PhD Art research project. The proposed PhD will test the claim that ‘the social’ has become the ‘software’ of its own representation in culture and politics; a claim which renders the human

Primary page content. Warren Harper's MPhil/PhD Art research project. Starting with the premise that contemporary art contributes to academic and public discourse in the field of nuclear culture, my practice-based PhD research project develops an

Primary page content. Abhaya Rajani's MPhil/PhD Art research project. Anti-caste feminist portals: Traversing fluid dalit polyvocal ancestral / fictional bodies through expressions of embodied labour. Purity and pollution are central to casteist

Primary page content. Rowena Harris' MPhil/PhD Art research project. There are claims that we are in the technologically pervasive era: digital networks exist everywhere; everyday objects communicate information with embedded microprocessors; and a

Primary page content. Sam Plagerson's MPhil/PhD Art research project. This proposal stakes the claim that the photographic image is under pressure through developments in current computerised image processing technologies. This pressure comes from