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History at Goldsmiths pushes the boundaries of what ‘history’ means. We do that through the novel subjects we focus on, our innovative approaches, the sources we use, and ways in which we engage with the public.

Coming to university and moving away from friends and family can be a big step and it is not unusual to feel lonely at times. This guide will help you understand and manage feelings you may be having.

Lucy’s work has featured in solo exhibitions including Limoncello London, CCA Glasgow, and IPS Birmingham.

Sonya's work reimagines where the centre is located in fictional narratives of the future.

Johnson, Jasmine. 2024. what's safe, what's gross, what's selfish and what's stupid. MORE THAN TWO: 10 JARS Johnson, Jasmine. 2018. MORE THAN TWO: 10 JARS. In: "More Than Two: Omnibus", Barbican Centre, United Kingdom. Love Johnson, Jasmine. 2020.

Jones, Paul. 2027. Work in progress: Untitled Spaghetti Ball - Time Space Displacement Unit (2027). ‘We’re Living in a Concrete Jungle’ Jones, Paul. 2026. ‘We’re Living in a Concrete Jungle’. working title: Science Laboratory Jones,

Bod’s recent group exhibitions include shows at MOT International and Victoria Miro Gallery in London.

Phan, Thao and Wark, Scott. 2026. Race, by Proxy. In: Fleur Johns; Gavin Sullivan and Dimitri Van Den Meerssche, eds. Global Governance by Data: Infrastructures of Algorithmic Rule. Cambridge: Cambridge University Press, pp. 174-192. ISBN

Unal, Deniz and Pinaka, AnnaMaria. 2025. Princess Diaries V. In: "Princess Diaries V", ROZENSTRAAT - a rose is a rose is a rose, Amsterdam, Netherlands, 7 June 2025. Documentation for the performance series: It Was Over Long Before Last Night. Unal,

Involuntary musical imagery (INMI; or “earworms”) describes the experience whereby a short section of music comes into the mind, spontaneously, without effort, and then repeats without conscious control [1].